Tham Poong is now drifting into the fanciful floating world of love and human connection. Well known for her personal narratives on the life of the ethnic minorities, the world of her origin, the artist is now exploring life beyond.

Four Seasons and tam cuc (a kind of playing card), pieces of gold lacquered sculpture and mat. Chinh Le has used traditional motifs and techniques in a new way. The language is simple, she does not abuse the alluring beauty of gold and silver or a hackneyed vision.

Playing with life, playing with paper, fun loving artist Nguyen Nghia Cuong portrays life at its fullest, richest, poorest, happiest, saddest. The ful range of human expression spills forth with abandon from brush to paper. Some works merely depict the simple joys of life… others evoke a wrenching, painful sadness that no sunshine can exorcise.

Sometimes, while wandering in a garden we incidentally pluck some leaves. On other occasions, we sit staring abstractly into the rice-fields, mounts and rivers or looking fixedly on stars during sleepless nights. We see and do not know what we see, we go and do not know where to go.

Compelled to express this struggle of reconciliation with his past, Cam spent many years processing these emotions, utilizing raw materials flung onto the canvas with an abandon and urgency no border could contain. Gradually he began to reach the eye of the storm.

Dinh Y Nhis uniquely singular works of twisted, anguished stick figures, starkly painted in black and white gouache on paper were possessed with a hungry, primitive energy that palpably demanded a visceral reaction from the viewer.

The light of the spirit, that elusive, enlightened force that guides our lives and our actions, softly penetrates and propels the brush of two serious young scholarly painters – Le Quoc Viet and Tran Hoang Son.